Friday update 16/5/14
Friday update 21/3/14
Bejeweled Live
Achievement Unlocked!
Friday update 7/2/14
ilo milo
This was originally posted on the now-defunct Random Fury! videogame blog.

ilo and milo leave their houses every morning and meet up under the tree in the middle of the local park and eat maple leaf flavoured biscuits, then at night, they head back to their homes. Every day it becomes harder and harder to simply walk to the big tree in the park, because it seems as if someone re-arranges the park at night! It could just as easily be ilo and milo’s failing memories though… And this is roughly where you, the player, step in. Help reunite milo and ilo every day, find their precious mementos such as records and photographs, make new friends along the way, and restore fragments of their memories – maybe you can help them reunite for good?
I love having a great big dose of spacial awareness and I like to think I am adept at creative thinking, so this game was practically made for me. Dollop the delightfully quant art-style on top and I’m sold – Everything is plush, plump and home-made in this game, all the characters look as if they’d be great cushions, but delving into the making-of sketches that are unlocked later reveals a real macabre feeling which oddly enough sits quite nicely with the darkness of the later chapters – some of the blocks have very creepy smiles! The music deserves a mention as well, as it suits the overall tone of the rest of the game perfectly. Played with all the charm of a gifted but amateur brass band who only get to practise together once a month, the main theme sticks in your head long after you’ve walked away from your console. So much so, that the developers realised it is disgustingly catchy, and challenged you to earn an achievement by playing it with the main menu as your instrument.
Anyway, I’m taking far too long to get to the basics of the game, which should really be a priority. But here I am, gushing about comfy cushions and smiling blocks. So, to be reunited, they need to traverse levels made up of six-sided blocks, but their movement is restricted to the plane they are currently on. They can’t jump to lower blocks at all, and without the help of special tool-blocks can only move to a different plane by making use of special carpets. Here’s an advanced concept: Gravity in ilomilo isn’t an internally centralised, pulling force, it exists like the ozone layer, only with gravity instead of ozone, and feels like it pushes down on characters to keep them grounded. It doesn’t so much keep them rooted to the ground by pulling, but presses them against it with a gentle yet constant push, if you get me. Special tool-blocks are the best way to help the friends meet up, and not only using them with the character that collects them, but getting them from ilo to milo are often central to solving each level. These blocks range from stretchy, puppy-dog faced platforms to small, stoic, solitary blocks – from jolly and angelic looking elevator cubes to rusty, grimacing contraptions that burp when they rotate. Each one is so full of character – and for mostly inanimate objects, that’s no mean feat.
Batman: Arkham Origins
This was originally posted on the now-defunct Random Fury! videogame blog.

Caution, there are spoilers ahead.
It’s rare for me to devote time to a videogame near it’s actual release date. Halo is about the only game I play as soon as it appears in my hands – most other videogames are added to a pile of shame (either physical or digital), marked as “pending” and forgotten about for around twelve to twenty-four months. I would say that the only exceptions are games that Jane and I are looking forward to playing together, and the Arkham series of Batman games. Which explains why my thoughts on the latest Batman game, Arkham Origins, is reasonably timely.
I get around to these games quickly because I enjoy them. Batman is as over-powered as ever – as long as you stick to the shadows and make full use of your inventory, that is. And he still packs one hell of a punch – those slow-motion final hits in combat scenarios are one of the defining moments of the series for me. Combat is an area in which this series excels, and it feels a lot tighter than the second game – countering and utilising quickfire gadgets in particular. Another of my favourite bits which no other game seems to do is the little crime scene investigations – Which is really quite ironic as I can’t stand those TV series where they investigate crime scenes. Those programs remind me of the photo enhancement sketch from Red Dwarf. Anyway, I digress. Solving these mysteries is massively improved in this third game simply by making them more believable and interesting. And you can even rewind and fast forward the timeline in the crime reconstruction to find evidence that flies off, for example. A lot of people have mentioned that this game was buggy, but to be honest I only ever encountered one potential “hit that reset button” bug – somehow landing behind a chemical vat and being stuck, but it was quickly solved by the trusty “waggle the sticks and hit the buttons until you are free” technique.
In the previous game I had pretty much levelled up my core skills before starting the main storyline by clearing out the entire map of thugs and goons. I couldn’t do that in this game as clearing the map is impossible – the goons just keep respawning, especially those larger groups which made up the “Crimes In Progress”. These semi-random set-pieces were a genius addition, and could feature anything from a small group of hoods robbing an ATM, to full on street warfare between the SWAT and the various gangs that are trying to claim Gotham for their own. The other reason my usual strategy was not possible was that I was not entirely sure what the main storyline was early on. The ever-respawning enemies is not a bad thing in my eyes, I welcomed it, but for half the game I felt like I was playing side-quests, and that the main storyline proper would begin soon. Then I realised that it must be the main storyline, so stopped following it altogether and cracked on with some side-quests.
2013 videogame targets update and 2014 videogame targets

I made three posts in January of 2013 outlining some targets I had for the coming year, and all of them started well, but fizzled out towards the end. I reckon that if I acknowledge my mistakes, I can learn from them. I’m tackling the videogame targets in this post – You can find the original one here, if you’re interested.
http://www.trueachievements.com/gamergoals.aspx?gamerid=2710
As you can see if you follow that link – I failed my attempt at reaching 100,000 Gamerscore in 2013. I’m not really bothered by this, as I (finally) learned that my time is worth more than some arbitrary number, and I had fun playing some great games in 2013, and that’s what counts. Still, I have made a new target, which roughly works out at 50% of the Achievement score of all the games in my pile of shame, I think. I reckon 50% is about right for any story or Campaign related Achievements in all the games on the list.



